Items 1 to 10 of 2667 total

By Norm Tessman. Updated by Bailey Cacciatore

Mastodons were on the brink of extinction when one died in a shallow watering hole fifteen miles southwest of today's Prescott. The last major ice age had ended, and the climate was similar to today’s. There have been many questions about this creature’s passing,, including the cause of death and the possibility it was killed by human hunters.

 

A research project in spring of 1999 by Sharlot Hall Museum hoped to answer some of these questions. A team of professional paleontologists, anthropologists and volunteers reopened and extended a site near a prehistoric water hole where a mastodon died. They searched for more of its bones and those of other animals, for evidence of who or what killed them and for clues about prehistoric Arizona’s environment.
 

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By Parker Anderson

In 1957, a former ASU English professor named Richard Kenneth Snodgrass formed a new business called Counterpoint Productions, with which he hoped to foster arts and humanities in Arizona and Yavapai County in particular. Among his partners were area photographers Art Clark and John Ludwig. After publishing two historical booklets, “The Prescott, Arizona Story” and “Ballad of a Laughing Mountain”, Snodgrass and Counterpoint set their sights on independent filmmaking.

 

Snodgrass was influenced by European “New Wave” cinema, which was starting to make its way into American art house theatres in the 1960s. He envisioned a multi-part film he would name LEGACY, to be filmed entirely in Prescott. It is no longer known who his investors were, but it is presumed they were local residents excited about a home-grown movie being filmed in Prescott. The actors were all locals who volunteered their services, and it is believed the Prescott city government volunteered to shut off city streets without charge so scenes could be filmed. Everyone was excited about the new movie!

 

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By Stuart Rosebrook
[Stuart Rosebrook, Ph.D., Executive Director of Sharlot Hall Museum, discovered he is related to Sharlot M. Hall through a shared relative on his father's and Sharlot's mother's Boblett-Deardorff side. He adapted this article from Margaret E. Maxwell’s “A Passion for Freedom: The Life of Sharlot Hall” republished by the Sharlot Hall Museum and for sale at the Museum’s gift shop.]

 

From her childhood days in Kansas to her home at Orchard Ranch, Sharlot Hall grew up with a Western work ethic and love and appreciation for all the family’s animals.

 

Sharlot Hall Museum’s founder, Sharlot M. Hall, was born in James “Jim” and Adeline Hall’s homestead cabin in northeastern Lincoln County, Kansas, on October 27, 1870. Sharlot recalled her birthplace was adjacent “a small stream thickly lined with oak, elm, walnut and hackberry trees, and with thickets of tall wild alum bushes all along in which the poles forming the framework of the Indian tepees [sic] were still standing when I was old enough to play in the abandoned teepee shelters.”

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By Bradley G. Courtney

If any early Prescott saloon was cursed, it was Cortez Street’s Keystone Saloon, located north of the Plaza on the west side of that street. Its first proprietor, Gotlieb Urfer, came to America from Switzerland before the Civil War. He arrived in Prescott in 1874, opened a lodging house on Cortez in 1877, and eventually added a saloon, naming it the Keystone Saloon and Lodging House. He married Ellen Dunn of Ireland in 1878.

 

On Wednesday, December 16, 1885—one day before his fiftieth birthday—Urfer was found lying senseless on the floor behind the Keystone’s bar, bleeding profusely from a bullet wound to his head. According to a December 18, 1885, Courier report, a lodger sprinted into the saloon after hearing a gunshot and saw Urfer with “a great ghastly hole in the right side of his head, from which his brains and blood were oozing.” Several others  nearby also ran in. They saw the bleeding Urfer and “near his right hand, lay a pistol of the bull-dog pattern.” All concluded this was suicide.

 

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By Corinne Harmon, Sharlot Hall Museum

Corinne Harmon is the Grants Coordinator at Sharlot Hall Museum. She has been involved in Search & Rescue since 2005, beginning her SAR journey in the Pacific Northwest. She is currently a Wilderness First Responder with Yavapai County Search & Rescue and serves on the Search Dog Unit.

 

Long before Arizona became a state, its rugged landscape demanded grit, resilience, and a willingness to help one’s neighbors. In the 1800s, when travelers went missing in the desert or livestock strayed into the mountains, rescues were informal—carried out by ranchers, prospectors, or anyone willing to follow tracks and brave the elements. These early efforts laid the foundation for a tradition of community-driven response that would evolve into today’s organized Search and Rescue (SAR) operations.

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By Helen Stephenson

The Western. An iconic film genre focusing on a relatively short era of American history that inspires big stories. 

 

The earliest known Western is a British short from 1899. But Fenin and Everson’s book The Western: From Silents to Cinerama states that it was Edwin S. Porter’s film, The Great Train Robbery, that’s credited with setting “the pattern—of crime, pursuit, and retribution—for the Western film as a genre.” Bronco Billy Anderson, the film’s lead, is considered to be the first Western “star.” He was quickly followed by the inimitable Tom Mix. The Arizona Republic stated in an October 13, 1940 retrospective: “The mighty Mix established the horse opera as the movie’s premier form of entertainment.”

 

Prescott played an important role in the career of Tom Mix. In 1913 Mix signed with the Selig Polyscope Company and began producing, writing and starring in silent Westerns. He brought his family to Prescott that same year. Most films were shot in 3–4 days, with the cast and some crew frequently lodged at the Hotel Vendome and the Hotel St. Michael in downtown Prescott.

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So history’s mostly a horseback song

And set to the thud of the hoofs.

 

~~~from Horseback Men by Charles Badger Clark

 

The horseback man has long been revered worldwide. From Genghis Khan, who kept showing up where he wasn’t expected, to the Argentinian gaucho to the Guardians in the South of France, the romantic figure of a man on a horse has become part of the folklore of many cultures. The cowboy, relatively new on the scene, has become the most recognized symbol of our once-wild American West. Here in Yavapai County, he is a huge piece of our present as well as our past.

 

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By Donna Werking

From racing ponies in the 1800s to roping calves in the 21st century, women have left a bold and lasting mark on Prescott Frontier Days® – World’s Oldest Rodeo®. While the arena has long been dominated by men, the contributions of women—both in and out of the spotlight—have shaped the rodeo’s traditions, culture and future.

 

1889: The First Female Competitors

 

The story of women in the arena began in 1889, when female cowboy pony racers galloped onto the scene. At a time when few athletic opportunities existed for women, their presence broke barriers and set a powerful precedent: women could not only ride—but compete.

 

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By Helen Stephenson

The entity now known as the Prescott Film Festival had another iteration before it became the festival active today. A Maricopa County attorney reserved the name Prescott Film Festival in 2003. What happened to that festival is unknown, but the name expired and became available for what is now the Prescott Film Festival.

 

Various film events have been presented in the Prescott area. The Elks Theatre screened films over the years and continues with second release studio-produced films. Andrew and Angie Johnson-Schmit created a local food bank benefit called the (Can)nes Film Festival, and the Yavapai College Film and Media Arts Program had a Focus on Film series pre-pandemic. 

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By Stu Jordan

In Robert Groom’s 1864 survey laying out the town of Prescott, two entire but non-adjacent blocks fronting Gurley Street were set aside as public spaces, the Plaza and the Capitol Block. Both were to be connected by Union Street. The Capitol Block was designated for eventual civic buildings, including one to serve as the capitol. Meanwhile, the new territorial government had business to conduct.

 

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