By Edd Kellerman 

This year marks the 100th birth anniversary of local artist, and first president of the Cowboy Artists of America, George Phippen.  In celebration of the event, the Phippen Museum is presenting a special exhibition of his work.  This comprehensive exhibition of George’s artwork offers never before seen sketches that provide insight into his artistic process and techniques, and it also includes some of his best-known bronzes.  These pieces not only dramatically illustrate George’s talent, but they also speak to the impact he had on reviving the lost wax casting process for the creation of bronzes in America.

By Sandy Lynch 

Once the Indian wars of the 19^th century were over and the remaining tribes were contained on reservations, our country suddenly became nostalgic about the loss of the “noble savage.”  As one result, American Indian-art markets entered the arena of U.S. business in the early 1900s.  Today, that industry produces over a billion dollars in income for artists who produce goods bearing a genuine “Indian-made” label.

By Ray Carlson

Between 1864 and 1869, the Arizona Miner, Prescott’s newspaper, described efforts by eight individuals to open a school in a private home or commercial building.  Each relied on fees paid by families, but none survived more than a few months, a story that was repeated in other pioneer communities.

By Al Bates

Ed Peck’s experiences in Territorial Arizona typify the local pioneer experience in that, no matter what their regular jobs, all spare time saw the men out searching for the next bonanza.  Ed’s was a classic example.

By Conrad Jackson

While most of us are acquainted with the image of olden day firefighters using a bucket brigade to douse the flames of a burning building, fewer have seen the image of a hose cart racing down a street.  A hose cart is little more than a handle attached to an axle mounted to two wheels.  Spooled onto the axle are several hundred feet of hose that terminates with a nozzle.  Firefighters would pull the hose cart to the scene of the fire where they would leave one man holding the nozzle.  The remaining firefighters would then pull the cart to the nearest hydrant, unspooling hose as they went.  The hose would then be connected to the hydrant and the water would flow.

By Mick Woodcock

What do a cast iron flatiron, a brass bucket and a gold watch all have in common?  In this case they were all owned by Catharine Scott Alexander, Yavapai County pioneer, ranch woman, wife, mother and mine owner.  These are the tokens of a life lived on the frontier in the days when Arizona was a territory and Prescott was founded.  They tell of life on the ranch and of a different life in town.

By Al Bates

Judging from time they spent away from Arizona during their terms of office many of our early territorial officials would rather have been somewhere else.  But who could blame them?

By Mick Woodcock

Efforts by the Yavapai Chamber of Commerce and others to have the Whipple hospital permanently transferred to the United States Public Health Service were successful.  On February 15, 1920, the hospital was formally transferred to the United States Public Health Service, to be operated under a permit from the War Department.

By Mick Woodcock

On February 25, 1913, Whipple was deactivated and the buildings were given over to a caretaker detachment.  The Army General Staff planned to concentrate the mobile army at eight large posts and abandon 31 small ones such as Whipple, which was deemed as having an “obsolete situation.”

By Mick Woodcock

After thirty-four years of active service, Fort Whipple was to be shut down on April 25, 1898, the same day Congress declared war on Cuba.  The officer on hand to close down the post instead became the mustering officer for the Arizona men who volunteered for the First U. S. Volunteer Cavalry, the Rough Riders.