By Bob Cornett

Early Prescottonians, cowboys, city folks and miners enjoyed grinding and brewing their favorite, their one and only Arbuckles Ariosa Coffee:" The coffee that won the west." No brand sold more coffee in the U.S. than Arbuckles', and yet that name has passed into history - you may see a package on display at the Sharlot Hall Museum. Yet, the Arbuckle name has a story that needs to be told whether remembered or not.

By Bob Jenkins 

In the early 1960s, a strange thing started to creep into Prescott, we called it "rock and roll." Of course, country music was still king at the time and that is what made it tough for local young musicians to make a breakthrough. However, when we did, it was like a dam broke because the young people in Prescott had little to do otherwise.

Submitted by Ryan Flahive

The following poem was written by Sharlot M. Hall for Arthur Weslock Upson. The original is located in the Sharlot M. Hall Papers & Photographs Collection, MS-12 at the Sharlot Hall Museum Library & Archives.

By Marian Powell 

If you don't recognize the name, Solon Borglum, consider this scene: It's July 3, 1907. A parade with cavalry, a marching band, a troop of Rough Rider Veterans, Civil War Veterans, troops from Fort Whipple, the Territorial Governor, various prominent citizens and military officers, and the fire departments of Phoenix, Tucson, and Prescott proceed to the Courthouse Plaza in Prescott. Seven thousand people witness the unveiling of the statue of Prescott's own Buckey O'Neill.

By Tom Collins 

Still at the helm, Dauphin produced Arthur Sullivan's one-act operetta "Cox and Box; or, The Long-Lost Brothers," (based on John Maddison Morton's famous farce "Box and Cox") in January 1886. Sergeant Bouncer, a landlord (Harry Carpenter), has a scheme to get double rent from a single room. By day he lets it to Mr. Box (a printer who is out all night, played by J.E. Brown) and by night to Mr. Cox (a hatter who works all day, played by Joe Dauphin). When the lodgers raise awkward questions, Bouncer distracts them by singing of his military exploits.

By Tom Collins 

It was Christmas Eve, 1879, and at the Prescott Theatre, a rowdy mix of miners, merchants, lawyers, judges, soldiers, saloonkeepers, and refined ladies were packed shoulder-to-shoulder as conductor Fr. Heydenrich raised his baton and Fort Whipple's12th Infantry Band struck up the opening strains of the overture.

By Sharlot M. Hall 

(Edited by Parker Anderson) 

(The following is reprinted from the Prescott Journal Miner of November 13, 1919. That newspaper had captured a Gila monster and had it on display in their office, which, for some reason, prompted a debate lasting several days over whether or not Gila monsters were poisonous.)

By Michael King 

(Last week's article outlined the evolution of the land use policies, laws and public sentiment, which provided the foundation for the national forest establishment. Today's article features the local context, including the early history of the City of Prescott's water supply challenges and the relationship to the Prescott Forest Reserve designation.)

by Michael King 

Prescott's early water supply issues are closely tied to the evolution of public land policies and the designation of the Prescott Forest Reserve. Following the Revolutionary War, lands between the Appalachian Mountains and the Mississippi River came under federal ownership. Due to the large military debt and financial needs of a fledgling nation these lands were viewed as important sources of revenue. 

By Richard Gorby 

Prescott in 1891 was twenty-four years old and the County Seat of Yavapai County. It boasted a population of nearly 3,000 people according to Jules Baumann, Prescott's bandmaster, photographer, and artist, on his 1891 lithograph of the city.