By Tom Collins
Prescott’s theatregoers gobbled up the pompous press puffs that heralded the arrival on January 3rd, 1896, of Lillian Lewis’s lavish production of Sardou’s Cleopatra at Patton’s Opera House on Gurley Street. Known in New York City as a modern drama queen, Miss Lewis was proclaimed (by her husband and manager Lawrence Marston) as “the foremost American actress” and superior, in this role, to Sarah Bernhardt herself! Her leading man, Edmund Collier, was “the successor to that great classical actor, John McCullough.” (Miner, Jan. 1, 1896). The scenery and special effects dazzled, but the discerning might have cringed at the acting.
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